Thursday, January 24, 2019

Dorothy @ The Fillmore 1/17/2019

It was the third night of Dorothy's "Freedom Tour" when they  took the stage last week, fresh faced and wide eyed at The Fillmore. More people had gathered in to the loosely filled venue following openers, Spirit Animal and when the beautiful front woman, Dorothy Martin sauntered on stage behind her band, suddenly the place was full of hoots and hollering. 

Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong
 

Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong 


Cloaked in sparkles, she wore a silver sequin robe that flowed off of her as she seemingly floated around the stage with a look of euphoria across her face. Even after smudging the room with what seemed to be sage, her peaceful presence did not match the thunderous vocals that came belting out when they opened with "Naked Eye" a single off of the Served Like A Girl soundtrack.






The San Diegoan warmed up to her San Francisco fans quick with admirable, "San Francisco, how the fuck are you feeling tonight? " shouts to the crowd, as if proving her edginess. The guitar lick driven anthem "Raise Hell" off her first album, Rockisdead caused more of a stir with it's campfire stompin' incitement and Dorothy leading the way.

Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong



Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong

The way she moved around the stage, visiting each band member (Owen Barry and Leroy Wulfmeier on guitar, bassist Eliot Lorango and drummer Jason Gangberg) with a little sway of the hips or an eyes closed head pivot made me think of what one might have expected from Janis Joplin. A carefree spirit carrying a powerful force just beneath it's surface. 






Both Dorothy albums hold an undeniable classic, rock n roll sound from the 60's and 70's era and there's no mistaking it live. Every song they played, whether it was off of 2016's Rockisdead or 2018's 28 Days in the Valley showcased Dorothy Martin's powerhouse vocals. And she made it look easy.



Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong

1/17/2019 set list 

1. Naked Eye 
2. Raise Hell 
3. Ain't Our Time To Die 
4. Dark Nights 
5. Pretty When You're High 
6. Medicine Man 
7. *band jam*
8. Whiskey Fever 
9. Philadelphia 
10. Who Do You Love 
11. Flawless 
12. Down To The Bottom 
13. Freedom


There isn't a more fitting place that Dorothy could have played in San Francisco than this historic venue, where rock n roll greats like Joplin (and Jerry Garcia)  played back in their day. You couldn't help but feel nostalgic as her theatrical voice engulfed the room up to the ceilings, echoing around you with soulful hooks and bluesy bass-lines.

Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong

After a brief jam about half way through, all but two of the songs of the rest of the set were off their latest album. Cleverly, they ended the show on "Freedom",  the tour's title song if you will. 
They've played four shows since last Thursday night and with 23 more shows to go, I hope Dorothy has enough stamina to give the same charismatic performance that they gave to San Francisco for the remainder of their tour. 






Dorothy Freedom Tour dates: 

January 25th: Hawthorne Theater - Portland, OR
January 26th: Neptune - Seattle, WA 
January 27th: The Venue - Vancouver, BC
January 29th: The Depot - Salt Lake City, UT  
January 30th: The Summit Music Hall - Denver, CO 
February 1st: Varsity Thater, Minneapolis, MN 
February 2nd: Bottom Lounge - Chicago, IL 
February 5th: The Record Bar - Kansas City, MO 
February 6th: Delmar Hall - St. Louis, MO 
February 8th: Deluxe @ Old National Center - Indianapolis, IN 
February 9th: Andrew's Hall - Detroit, MI 
February 10th: House of Blues - Cleveland, OH  
February 12th: 9:30 Club - Washington DC 
February 14th: Irving Plaza - New York, NY 
February 15th: Paradise Rock Club - Boston, MA 
February 16th: Theatre of the Living Arts - Philadelphia, PA 
February 19th: Terminal West - Atlanta, GA 
February 20th: Cannery Ballroom - Nashville, TN 
February 22nd: Trees - Dallas, TX 
February 23rd: Scoot Inn - Austin, TX 
February 25th: The Parish at House of Blues - New Orleans, LA

February 26th: House of Blues Bronze Peacock - Houston, TX
March 1st: The Regent Theater - Los Angeles, CA 




Monday, January 21, 2019

Lauren Ruth Ward on tour with LP

Singer/songwriter Lauren Ruth Ward's 70's psych-blues swagger has exploded since she relocated to L.A three years ago from her hometown of Baltimore. After releasing her critically acclaimed debut Well, Hell last February, she's already shared the stage with the likes of Keith Urban, Shirley Manson, Shakey Graves, Yeah Yeah Yeahs, Eddie Vedder and Liz Phair. 



On the heels of the release of her latest single "Valhalla" and the music video for it, this powerhouse performer surges forward touring with another rising star from the LGBTQ community, LP




Following her 10 date show run with LP, Lauren Ruth Ward will join The Divinyls as their guest lead vocalist for their Australian tour this Spring. 




Try not to miss your chance to see LRW open for LP on the Heart to Mouth Tour. 
They're playing The Fox Theater in Oakland on Saturday night and Ace of Spades in Sacramento on Sunday night but both shows are already sold-out!
 Get your tickets now as they rock onward across the country before it's too late! 

Sunday, January 20, 2019

Favorite Albums of 2018

Buying a physical copy of an album has become an anomaly. That's been the case for a few years now thanks to services that allow us to stream music and, or download straight to digital devices. 

In 2017 I noticed a new trend: not only were people not buying albums but people weren't listening to albums. Thanks again to those same streaming platforms, people can listen song by song, artist by artist. People can make playlists, listen to a mixed tape, shuffle songs, etc. At the end of 2018 I saw a lot of "Best Songs of the Year" lists, not "Best Albums of the Year" lists. There are even popular artists who have yet to release a full album, only singles and they hit the road with sold-out tours and, or are on heavy rotation on the festival circuit. 

The art of the album is fading away and that is a sad thing. Albums are made to be listened to from start to finish to paint you, the listener, the picture the artist sees/feels, allowing you to personally interpret their vision when you hear their songs in the order they're meant to be played.  

I call my end of the year "Best of Lists" my "Favorite of the Year Lists" because I know that I tend to be biased, I like what I like. I don't listen to every single new album that's released in any given year, therefore how can I, let alone anyone else who hasn't listen to every new album, be able to say what is the best. I base my album of the year list on how much I listen to a new album and the one I listen to the most is my favorite album of the year, naturally. 
In 2018 I only really listened to one album consistently since it's release and that album was Santigold's I Don't Want: The Gold Fire Sessions.



On July 26th, 2018, Santigold announced she would be releasing a surprise dance-hall album in the style of a mixed tape and the very next day the mama of 3 dropped album number 4. I had no idea that she was even working on a new album and I loved the surprise element behind it.
(I also didn't know that the 40 something year old recently had twins!)
The album opens strong with the un-official single, "Coo Coo Coo" (personally, my favorite track on the album) and the first official single off the album, "Run the Road".





 The up-tempo, summery, reggae/dance-hall/SKA inspired melodies become a little more lo-tempo by the forth song, "I Don't Want" and continues on that way pretty steadily through the end of the album. And, though the tempo drops, the up-beat feel of I Don't Want: The Gold Fire Sessions does not. There's a sassy, flirtiness to this collection of songs, a confidence that Santigold exposes and wants to instill in you. When you hear the lyrics you know that: she knows what she wants, she knows what she doesn't want, she sees through all the bullshit, she won't put up with anyone's bullshit, she knows who she is and she's damn proud of it. The timing of her follow up to 2016's 99 cent is poignant in the year of the woman and the age of social media, etc. yet she manages to have fun with it.
I'm a fan of the mixed-tape style, the way tracks blend into the next with no definitive ending or beginning. Even the contrasting collage cover art plays into the mixed-tape theme.
 There's cleverly two title tracks, the a fore mentioned "I Don't Want" heard early on and the closing track, "Gold Fire" which is the perfect track to end this album with because you can take the heat from it and the rest of your day/night will be lit.
I've been a fan of Santigold since she was known as Santogold and this album brings her back to her roots. It's a great album to listen to when you're getting ready for your day, walking down the street, getting your sweat on at the gym, getting ready for a night out on the town, cooking dinner, folding laundry, cleaning your room...it's just a great album.

Here are some other albums I listened to last year:
- Humans = Going Late
- Years and Years = Palo Santo 
- Dorothy = 28 Days in the Valley 
- H.E.R = I Used to Know Her part 2 (EP)

Thursday, January 10, 2019

Dorothy "The Freedom Tour"





Last November, after touring with Greta Van Fleet, Dorothy announced the final leg of their "The Freedom Tour". With 20 + shows, the winter tour which starts January 14th where lead singer Dorothy Martin grew up, San Diego, continues into Spring, bringing the L.A based band back to where they now call home. 













28 Days in the Valley, the band's second album was released last March and the last time Dorothy played in San Francisco was at The Independent in February 2018. This time around, the lead singer who's so often compared to rock legends from the 70's will show fans what she's made at the same place where so many of those greats actually played back in the day. 






Dorothy and special guests Animal Spirit are heading to The Fillmore next week for their third show of "The Freedom" tour on January 17th. The show at this historic venue is sure to rock and some tickets are still available.  

Monday, January 7, 2019

Best Shows of 2018

2018 was a pretty big year for this little ol' blog and a busy one at that. Sweet Sound Bites'  6th year anniversary was in March, we were approved to cover two festivals (Our Music Fest in Berkeley and The Emerald Cup in Santa Rosa), we covered some awesome shows and there was multiple contributing writers this year! Being approved to review a show is always exciting and it's very rewarding to be able to give friends the opportunity to review shows. 

Here's my list of the best shows I was lucky enough to attend this year:

G-Eazy @ The Fox Theater Oakland 3/1/2018
photo by Marc Fong 

It may not have been the smartest decision to go to a show the night after returning from being in a Costa Rican Rain Forest for 9 days, working at a Music and Yoga festival but...it was G-Eazy. I'm not familiar with much of his music but I am familiar with easy on the eyes G-Eazy himself and by the sounds of the blood curdling screeches from ladies at his show in Oakland, I am not the only one. 



The handsome Bay Area rapper preformed the one song I do know and enjoy by him, "No Limit" and that alone made it worth it.


St. Vincent @ The Bill Graham Civic Auditorium 1/22/2018
photo by Nikki DeMartini
I never got on the St. Vincent bandwagon but the amount of buzz that surrounded the 2018 re-worked version of her 5th album, 2017's Masseducation as Massseduction lured me in. I signed up to work her sold-out show in San Francisco and am happy that I did. Her neon pink latex one piece and thigh high patent leather boots with furry pink arm cuffs, choker and matching pink electric guitar, she was like a modern day Barbarella meets Fembot.  Standing in front of huge projections screens, her band was completely hidden so it was just her with her electric guitar that you saw on stage.




I hadn't seen that before, a solo artist hiding their band at live shows to keep up with the appearance of being solo. (Kimbra did the same thing a few weeks later at her headlining show at The Regency Ballroom). Her robotic nature on stage played into the theme of both of her new albums which was pretty neat for a "rock show" and when her electric guitar ripped through the crowd it was killer. Her very visual show included "Los Ageless" and "Masseduction" which of course, were very cool to see live. 



8. Cherry Glazerr @ Coachella, Sonora Stage, April 21st, 2018 

Cherry Glazerr @ Coachella, Sonora Stage 4/21/2018
photo by Nikki DeMartini

Cherry Galzerr
was the only full set I saw at Coachella while working the consecutive weekend festival in the desert. It was weekend 2 and they played on the Sonora Stage, a small stage tucked inside with an underground punk-rock scene feel.  It was so nice to be able to get out of the glaring sun and away from seas of millennial selfie takers into a dark, dank room with music so loud it made your ear drums ring. There weren't too many people there that afternoon, so my coworker and I were able to get right up front. It was my first time seeing Cherry Glazerr and they totally rocked! They even brought female wrestlers who fought it out on stage as the band slayed the end of their set. I can't wait to see Cherry Glazerr on their headlining tour in 2019! 

The season opener at The Greek Theatre in Berkeley this year was a wet one! But people braved the rain,  filled the outdoor arena with plastic ponchos. It was my first time seeing  HAIM and Lizzo  and the energy from the crowd before the show even started made me feel warm and fuzzy on the inside. A playlist over the house PA was on a loop and every time "Dance with Somebody" came around the whole place filled with people singing along. 

Lizzo @ The Greek Theatre in Berkeley 4/6/2018
photo by Nikki DeMartini

HAIM and Lizzo fans literally belted out Whitney Houston's 1987 hit every time it came as if it doing Karaoke. It was something else and one of those magical moments when you witness first hand the power music has to bring complete strangers together in happy unison.


 Lizzo's opening performance was probably the best opening act I saw all year. She was vivacious as she performed all of her singles, keeping up with her two back-up dancers who's leopard print outfits matched her own. 







As soon as the HAIM sisters hit the stage they were so gracious: seeing everyone out in the cold, getting wet but sticking around to see their show brought one of them to tears. They dominated the stage with their collective drumming, guitaring and Joe-cool attitude. Both acts made it a point to connect with their fans that night and that's always one of the best parts of any show. 

HAIM @ The Greek Theatre in Berkeley 4/6/2018
photo by Nikki DeMartini



This Summer Sleigh Bells toured with Pixies and Weezer and I made sure to get to The Shoreline Amphitheater early enough to catch the opening act, the act I was most excited to see, Sleigh Bells.


Sleigh Bells @ The Shoreline Amphitheater 8/7/2018
photo by Marc Fong
From the looks of it, there was a lot of people there but the majority were in the super long lines for merch when I arrived. I've been a big fan of Sleigh Bells since their 2010 debut, Treats and I've seen them at multiple concerts and sold out headlining shows before. However, when I saw that the seated section in the Amphitheater was bare before their set I wasn't that surprised. 


Weezer has been around since the early 90's and Pixies have been around since the mid 80's, so Sleigh Bells were new to a lot of people there that night. That's one of the reasons I thought this show was so cool: Weezer essentially took Sleigh Bells under their wing, bringing the brat-punk band on this tour that was sure to sell out shows, inevitably getting Sleigh Bells more exposure to grow their fan base. That and I love Sleigh Bells, they always slay with an energy charged show and thanks to their bad-ass front-woman Alexis Krauss they delivered a solid opening set. Plus, what a great all around indie bill this was: Weezer with Pixies and special guest Sleigh Bells



Out of all of the musical acts at Outside Lands this year, three African American ladies own the show, in my book. All three played the Lands End Stage which is the main stage situated in the Polo Fields of Golden Gate Park. Lizzo played on Saturday afternoon (August 11th) and Janelle Moane and Janet Jackson played on Sunday, August 12th. (Janelle Monae played that afternoon and Miss Jackson closed out the festival). 

Lizzo @Outside Lands 2018
photo by Nikki DeMartini


Lizzo was as fiesty, flirty and self-loving as she was when she opened for HAIM in April. The same back up dancers were there, too keeping up with her and that spunky energy. In an eye catching daffodil yellow evening gown engulfed with tulle, she paraded around the stage flaunting a grandiose air which was just as entertaining to watch as it was empowering. She even got off the stage and perused the photo pit with a bottle of Patron in one hand and giving high fives to fans in the front row with the other hand (I was one of those fans who got a high five from Lizzo!) 







Janelle Monae played mid-day on Sunday and pretty much stole the show up until that point. Her set had back up dancers, choreographed moves, costume changes. At one point she stopped and made a motivational speech about loving each other and love is love is love and had everyone hold up their hands in the shape of a heart, filling the Golden Gate Park Polo Field with hearts from everybody to everybody. She played her single "Pynk" off of her 2018 release, Dirty Computer and wore the same vagina pants that are featured in the songs' music video which was definitely a highlight for me. 


Janelle Monae @ Outside Lands 2018
photo by Marc Fong 




Miss Janet Jackson took the Main Stage on Sunday night to close out Outside Lands 2018. Isn't it weird to think that women hardly ever headline music festivals? 
Beyonce was the first woman to headline Coachella just this year (technically it was Lady Gaga who was the first woman to headline the coveted festival in the desert in 2017 when Bey had to bow out because she was pregnant with twins). 
In it's 11th year, Janet Jackson was the first woman to headline the Outside Lands Music Festival. She danced, she sang, she paid tribute to her brother Michael and she looked good doing all of it. 







Juliette & The Licks @ Cornerstone Berkeley 7/19/2018
photo by Nikki DeMartini

Juliette Lewis is a bad-ass who has been in some great movies. So, when I was approved to cover the sold-out Juliette & The Licks show at Cornerstone Berkeley, I was beyond stoked to see her bad-assery live in person! I went with a good friend and it turned out that her friend was in the opening band which made the night that much cooler. Juliette wore the Evel Knievel jumpsuit she's known to ware at her live shows and she never stopped rocking. Headbanging, jumping around the stage, kicking off her shoes, screaming, growling, stage diving. Juliette Lewis plays the rockstar role well and knows how to put on a rock show! 




The last time I saw Nikka Costa was in 2012 at The Red Devil Lounge in San Francisco (which doesn't exist anymore) with my Dad. My Dad is a huge fan of Nikka Costa (did you know that her godfather is old blue eyes, Frank Sinatra?) so when tickets went on-sale for her show in Oakland  and he asked me if I wanted to go I made sure to be free that day. She played at Yoshi's in Oakland on May 24th, a few days after my Dad's Birthday. Near Jack London Square along the waterfront in Oakland, it was my first time being to a show at Yoshi's. It's really nice and clean, half restaurant half music venue so ticket holders can get a drink or a bite right there before doors open.

Meet and Greet with Nikka Costa @ Yoshi's Oakland 5/24/2018 

We had meet and greet tickets so we got to go in a little early and had our picture taken with Nikka before the show. She's very nice and was surprisingly soft spoken for the huge stage presence I know she has when she preforms live. Yoshi's hosts all seated shows and our table was in the front row, like practically on the stage. Nikka put on a rockin' show. She has such a powerful, soulful voice and she wiggles her hips so much you'd think she was Shakira. Her firecracker energy was contagious as people got up and out of their seats, dancing and singing along with her. It was a great way to celebrate my Dad's Birthday. The best part was I knew my Dad had a great time, too. 





In August 2017 Sylvan Esso played at The Fox Theater in Oakland and less than a year later they returned to the East Bay. Only this time around they played a venue practically 4 times bigger, The Greek Theater in Berkeley. 

Sylvan Esso @ The Greek Theater in Berkeley 7/12/2018
photo by Marc Fong
 

I had been excited about the show since they announced their 2018 tour dates and was curious to see how their one-off, headlining show would compare to their set at Bonnaroo which I had seen just a few weeks prior. Both Nick and Amelia took moments through out their set to take it all in and share memories of their first Bay Area shows at Bottom of the Hill and opening for  tUnE-yArDs at The Fillmore and how they wouldn't be where they are with us, their fans.


Sylvan Esso @ The Greek Theater in Berkeley 7/12/2018
photo by Marc Fong
 
I was at the tUnE-yArDs show, so it was special to experience that shared moment. When I saw them at The Fox Theater their second album, What Now had only been out for about four months so seeing them a year after their latest album came out was cool because everyone was more familiar with all the songs they played. They always deliver a genuine heartfelt show with soaring energies and dancing bodies on and off the stage. 

This time was no different.
 Amelia even wore the same amazing, tasseled sleeve bodysuit she wore when I saw them at Bonnaroo.   



1. Sylvan Esso @ Bonnaroo, June 9th, 2018
I've gotten into a habit of not really looking at the line-ups of the Music Festivals I work because on show days there's no way of knowing what your work day will look like. I did however, glance over the Bonnaroo line-up when it was announced last January and I got a little giddy when I saw Sylvan Esso on it. In Tennessee I found out that one of my dearest co-workers there was also a huge fan and so was our new co-worker, whom we both bonded with immediately, and of course this bonded the three of us even more). 

The three of us made sure that on Saturday night, June 9th  we'd be at that set in THAT tent. And we were. It might have been the muggiest day of the festival, even after the sun went down the air was thick and everyone was sticky. THAT Tent was so packed for Sylvan Esso people were spilling out of it. We weaseled our way to the stage left, viewing area and got as close as we could get. It was even hotter inside THAT tent, breathing the stale air, waiting for Sylvan Esso. And then, just when I thought my body temperature couldn't get any hotter, I couldn't be anymore sweaty or sticky and I couldn't possibly dance, Sylvan Esso started. I don't think there was a moment throughout their set that my co-workers and I stopped dancing or singing. For the most part we weren't even dancing with each other but we were...everyone there was dancing with each other. 




Sylvan Esso @ Bonnaroo 6/9/2018
photo by Nikki DeMartini


Everyone there was dancing with Sylvan Esso. They're an expressive duo and their own awe was apparent at Bonnaroo. Amelia really brought it to the stage, hair clinging to her face as she tirelessly kicked high and wiggled low, tassels blowing in the air in the wake of her dance moves. They did not sell their festival set short and it was magical. Just as soon as it started it ended, leaving us with permanent smiles for a good while after as we rode the high. We had the best time together at Sylvan Esso. I walked out of THAT tent knowing that it was probably going to be my favorite set of Bonnaroo 2018 even though there was still a one whole day of music left.



 I did not know it would wind up being my favorite show of the year, even topping their headlining show at The Greek Theater in Berkeley.
But it did. Maybe it was because I was with my girls. Maybe because it was a well deserved work break. Maybe because Sylvan Esso always bring it. Maybe because all those factors combined made it the best. 












honorable mentions:
- Matt & Kim @ The Warfield 4/3/2018 
- Eminem and Dr. Dre @ Coachella 2018 
- Bob Moses @ Envision 2018 
- Sofi Tukker @ The Fox Theater in Oakland 5/18/2018 
- The War & Treaty @ Bonnaroo 2018 
- Bishop Briggs @ The Fox Theater in Oakland 9/4/2018 
- Walk Off The Earth @ August Hall 8/26/2018