Saturday, February 16, 2019

Lords of Acid: Pretty in Kink Tour






The ironically erotic electronic metal band Lords of Acid are back and they're going on tour with Orgy. The band released, Pink in Kink last year, their first album in six years and the tour has the same appropriately, colorful name.  


 Things get swingin' on February 22nd at  The Regent Theater in LA. If you thought that Lords of Acid album titles, cover art, track titles and lyrics that they've given us over the years got your blood pumping, seeing them live will be very satisfying. 









Pretty in Kink 2019 tour dates: 
February 22nd @ The Regent Theater - Los Angeles, CA
February 23rd @ Brick By Brick - San Diego, CA 
February 26th @ Dante's - Portland, OR 
February 27th @ Showbox SoDo - Seattle, WA 
March 1st @ The Complex - Salt Lake City, UT 
March 2nd @ Gothic Theater - Englewood , CO
March 3rd  @ Granada Theater - Lawernce, KA
March 5th @ Cabooze - Minneapolis, MN 
March 6th @ Miramar Theater - Milwauke, WI 
March 7th @ Bottom Lounge - Chicago, IL 
March 8th @ Agora Theater & Ballroom - Cleveland, OH 
March 9th @ Buick City Event Center - Flint, MI 
March 10th @ Rex Theater - Pittsburgh, PA 
March 11th @ Theater of the Living Arts - Philadelphia, PA
March 12th @ Gramercy Theater - New York, NY 
March 13th @ Brighton Music Hall - Allston, MA
March 15th @ Baltimore Soundstage - Baltimore, MD 
March 16th @ The Underground - Charlotte, NC
March 18th @ Culture Room - Fort Lauderdale, FL 
March 19th @ Orpheum - Ybor City, FL 
March 21st @ House of Blues - New Orleans, LA
March 22nd @ Scout Bar - Houston, TX
March 23rd @ Trees - Dallas, TX
March 24th @ Come and Take It Live - Austin, TX
March 27th - Hard Rock Live Las Vegas, NV 

Friday, February 15, 2019

One Good Thing About Music

Bob Marley is the king of reggae, there's really no question about that. The Jamaican singer/songwriter started blending reggae, ska and rocksteady with The Wailers in 1963, developing a distinctive singing and songwriting style which became and still is severely popular worldwide. Bob Marley and The Wailers parted ways in 1974 before he took off on his solo career which saw him sell more than 75 million records, making him one of the world's best selling artists of all time. Before that though, in 1973 they released a compilation album, African Herbsmen and on it is "Trenchtown Rock"

The song about Bob Marley's hometown opens with: 
one good thing about music, when it hits you feel no pain 
one good thing about music, when it hits you feel no pain 
So hit me with music, hit me with music 
Hit me with music, hit me with music now



A few years back, when I was in extremely agonizing heartbreak, it hit me that these lyrics are not 100% true.  I love music, I love listening to it and seeing it live. When I was captive of a heart that was breaking terribly, not able to sleep, eat, live my waking life without feeling like I'd shatter into a billion pieces at any given moment, when tears filled my eyes all day and I felt a pain so deep it paralyzed me, I found I also couldn't listen to music. And it wasn't just one song I couldn't bear to hear, or one artist I had to steer clear of, it was all music.
 When music hit me then, it hurt. 
And, it hurt that it hurt. 

From Mumford & Sons to Florence and The Machine, Adele, Lana Del Rey, No Doubt, The Rolling Stones, Ellie Goulding, Of Monsters and Men, Sleigh Bells, The Dead Weather, Crystal Castles, Liz Phair and so many more would make my stomach cartwheel into my throat, nearly knocking the wind out of me and my face would contort as I fought to suppress the waves of hot tears that would inevitably blanket my face no matter where I was: driving, at work, on the bus, in the shower, cooking, at the gym...
The emptiness I felt inside was amplified by music.
Anywhere and everywhere, a song would hit me and I'd crumble to pieces.
How embarrassing, I thought. I can't even listen to music because it hurts so much all because I let my heart get broken. 

After a while I was slowly able to introduce music back in my life without breaking down. To this day some songs still trigger an undesirable emotional response. Some days for instance, I can listen and rock out to "Dog Days Are Over" and other days I simply can not.  
I had a heartfelt talk with a friend going through her own heartache. Our stories are very different but at one point she apologized because she had to change the song that came on, she couldn't listen to it at the moment, it was too much for her.
I told her she needn't apologize, there had been months I couldn't listen to anything. Anything
You can feel pain when music hits you. 
You can feel pain when music hits you, and it's ok. 
My friend is a musician and explained that the music she had been making lately was all very sad and blue. A lot of creative genius stems from heartbreak. Some of your favorite songs might be from someone else's darkest days and lowest lows. 


I often think about Trenchtown Rock and it's opening lyrics around this time of year because, well Valentine's Day and love, lovers, dates, hearts,  flowers, all of that.
I think one good thing thing about music, the best thing about music is how it involuntarily brings strangers together in a happy unison and that unison comes in so many forms. It's a beautiful thing really. Last weekend, for example, I worked the One Love Cali Reggae Festival in Long Beach California. The three day, outdoor festival was completely sold-out and despite the spitting rain, whipping wind and cold temperatures fans still came out to the show. Appropriately named, "One Love" which of course another Bob Marley song. Released in 1977 on what was Bob Marley and The Wailers' ninth studio album, "One Love" opens with: one love, one heart
let's get together and feel alright. 




That's what music festivals are all about, getting together and feeling alright. 
When he passed away in 1981 at the ripe, young age of 36, Bob Marley left a legacy behind: kids today not only know who Bob Marley is but they know his music, they listen to his music. 
People's love for Bob Marley lives on. 
 If you don't consider yourself a fan of reggae, I bet you know a Bob Marley song when you hear one. 

Galentine's Day and/or Vaelntine's Day, falling in or out of love happens everyday. It's a tricky thing, that crazy little thing called love. 
Just know that if music hits you and you do feel pain, it's ok, you're not alone. 

Monday, February 4, 2019

LPX & MØ

As of last year Lizzy Plapinger, formerly of MS MR has gone solo as LPX. The co-owner of the boutique record label, Neon Gold Records has one EP out, 2018's Bolt in the Blue and has since toured with HAIM and RAC. Just last week this firecracker of a performer with locks to match, announced that she's hitting the road with  





The tour in support MØ's sophomore album, Forver Neverland, is bringing the ladies to The Fox Theater in Oakland this Saturday night. February 9th, that's less than a week away! 

Both of these vivacious, pop starlets bring an unparalleled energy to their shows, so seeing them share a stage will surely leave you buzzing. Don't get FOMO. Get your tickets to see  LPX with  MØ today

Thursday, January 24, 2019

Dorothy @ The Fillmore 1/17/2019

It was the third night of Dorothy's "Freedom Tour" when they  took the stage last week, fresh faced and wide eyed at The Fillmore. More people had gathered in to the loosely filled venue following openers, Spirit Animal and when the beautiful front woman, Dorothy Martin sauntered on stage behind her band, suddenly the place was full of hoots and hollering. 

Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong
 

Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong 


Cloaked in sparkles, she wore a silver sequin robe that flowed off of her as she seemingly floated around the stage with a look of euphoria across her face. Even after smudging the room with what seemed to be sage, her peaceful presence did not match the thunderous vocals that came belting out when they opened with "Naked Eye" a single off of the Served Like A Girl soundtrack.






The San Diegoan warmed up to her San Francisco fans quick with admirable, "San Francisco, how the fuck are you feeling tonight? " shouts to the crowd, as if proving her edginess. The guitar lick driven anthem "Raise Hell" off her first album, Rockisdead caused more of a stir with it's campfire stompin' incitement and Dorothy leading the way.

Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong



Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong

The way she moved around the stage, visiting each band member (Owen Barry and Leroy Wulfmeier on guitar, bassist Eliot Lorango and drummer Jason Gangberg) with a little sway of the hips or an eyes closed head pivot made me think of what one might have expected from Janis Joplin. A carefree spirit carrying a powerful force just beneath it's surface. 






Both Dorothy albums hold an undeniable classic, rock n roll sound from the 60's and 70's era and there's no mistaking it live. Every song they played, whether it was off of 2016's Rockisdead or 2018's 28 Days in the Valley showcased Dorothy Martin's powerhouse vocals. And she made it look easy.



Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong

1/17/2019 set list 

1. Naked Eye 
2. Raise Hell 
3. Ain't Our Time To Die 
4. Dark Nights 
5. Pretty When You're High 
6. Medicine Man 
7. *band jam*
8. Whiskey Fever 
9. Philadelphia 
10. Who Do You Love 
11. Flawless 
12. Down To The Bottom 
13. Freedom


There isn't a more fitting place that Dorothy could have played in San Francisco than this historic venue, where rock n roll greats like Joplin (and Jerry Garcia)  played back in their day. You couldn't help but feel nostalgic as her theatrical voice engulfed the room up to the ceilings, echoing around you with soulful hooks and bluesy bass-lines.

Dorothy @ The Fillmore 1/17/2019
photo by Marc Fong

After a brief jam about half way through, all but two of the songs of the rest of the set were off their latest album. Cleverly, they ended the show on "Freedom",  the tour's title song if you will. 
They've played four shows since last Thursday night and with 23 more shows to go, I hope Dorothy has enough stamina to give the same charismatic performance that they gave to San Francisco for the remainder of their tour. 






Dorothy Freedom Tour dates: 

January 25th: Hawthorne Theater - Portland, OR
January 26th: Neptune - Seattle, WA 
January 27th: The Venue - Vancouver, BC
January 29th: The Depot - Salt Lake City, UT  
January 30th: The Summit Music Hall - Denver, CO 
February 1st: Varsity Thater, Minneapolis, MN 
February 2nd: Bottom Lounge - Chicago, IL 
February 5th: The Record Bar - Kansas City, MO 
February 6th: Delmar Hall - St. Louis, MO 
February 8th: Deluxe @ Old National Center - Indianapolis, IN 
February 9th: Andrew's Hall - Detroit, MI 
February 10th: House of Blues - Cleveland, OH  
February 12th: 9:30 Club - Washington DC 
February 14th: Irving Plaza - New York, NY 
February 15th: Paradise Rock Club - Boston, MA 
February 16th: Theatre of the Living Arts - Philadelphia, PA 
February 19th: Terminal West - Atlanta, GA 
February 20th: Cannery Ballroom - Nashville, TN 
February 22nd: Trees - Dallas, TX 
February 23rd: Scoot Inn - Austin, TX 
February 25th: The Parish at House of Blues - New Orleans, LA

February 26th: House of Blues Bronze Peacock - Houston, TX
March 1st: The Regent Theater - Los Angeles, CA 




Monday, January 21, 2019

Lauren Ruth Ward on tour with LP

Singer/songwriter Lauren Ruth Ward's 70's psych-blues swagger has exploded since she relocated to L.A three years ago from her hometown of Baltimore. After releasing her critically acclaimed debut Well, Hell last February, she's already shared the stage with the likes of Keith Urban, Shirley Manson, Shakey Graves, Yeah Yeah Yeahs, Eddie Vedder and Liz Phair. 



On the heels of the release of her latest single "Valhalla" and the music video for it, this powerhouse performer surges forward touring with another rising star from the LGBTQ community, LP




Following her 10 date show run with LP, Lauren Ruth Ward will join The Divinyls as their guest lead vocalist for their Australian tour this Spring. 




Try not to miss your chance to see LRW open for LP on the Heart to Mouth Tour. 
They're playing The Fox Theater in Oakland on Saturday night and Ace of Spades in Sacramento on Sunday night but both shows are already sold-out!
 Get your tickets now as they rock onward across the country before it's too late! 

Sunday, January 20, 2019

Favorite Albums of 2018

Buying a physical copy of an album has become an anomaly. That's been the case for a few years now thanks to services that allow us to stream music and, or download straight to digital devices. 

In 2017 I noticed a new trend: not only were people not buying albums but people weren't listening to albums. Thanks again to those same streaming platforms, people can listen song by song, artist by artist. People can make playlists, listen to a mixed tape, shuffle songs, etc. At the end of 2018 I saw a lot of "Best Songs of the Year" lists, not "Best Albums of the Year" lists. There are even popular artists who have yet to release a full album, only singles and they hit the road with sold-out tours and, or are on heavy rotation on the festival circuit. 

The art of the album is fading away and that is a sad thing. Albums are made to be listened to from start to finish to paint you, the listener, the picture the artist sees/feels, allowing you to personally interpret their vision when you hear their songs in the order they're meant to be played.  

I call my end of the year "Best of Lists" my "Favorite of the Year Lists" because I know that I tend to be biased, I like what I like. I don't listen to every single new album that's released in any given year, therefore how can I, let alone anyone else who hasn't listen to every new album, be able to say what is the best. I base my album of the year list on how much I listen to a new album and the one I listen to the most is my favorite album of the year, naturally. 
In 2018 I only really listened to one album consistently since it's release and that album was Santigold's I Don't Want: The Gold Fire Sessions.



On July 26th, 2018, Santigold announced she would be releasing a surprise dance-hall album in the style of a mixed tape and the very next day the mama of 3 dropped album number 4. I had no idea that she was even working on a new album and I loved the surprise element behind it.
(I also didn't know that the 40 something year old recently had twins!)
The album opens strong with the un-official single, "Coo Coo Coo" (personally, my favorite track on the album) and the first official single off the album, "Run the Road".





 The up-tempo, summery, reggae/dance-hall/SKA inspired melodies become a little more lo-tempo by the forth song, "I Don't Want" and continues on that way pretty steadily through the end of the album. And, though the tempo drops, the up-beat feel of I Don't Want: The Gold Fire Sessions does not. There's a sassy, flirtiness to this collection of songs, a confidence that Santigold exposes and wants to instill in you. When you hear the lyrics you know that: she knows what she wants, she knows what she doesn't want, she sees through all the bullshit, she won't put up with anyone's bullshit, she knows who she is and she's damn proud of it. The timing of her follow up to 2016's 99 cent is poignant in the year of the woman and the age of social media, etc. yet she manages to have fun with it.
I'm a fan of the mixed-tape style, the way tracks blend into the next with no definitive ending or beginning. Even the contrasting collage cover art plays into the mixed-tape theme.
 There's cleverly two title tracks, the a fore mentioned "I Don't Want" heard early on and the closing track, "Gold Fire" which is the perfect track to end this album with because you can take the heat from it and the rest of your day/night will be lit.
I've been a fan of Santigold since she was known as Santogold and this album brings her back to her roots. It's a great album to listen to when you're getting ready for your day, walking down the street, getting your sweat on at the gym, getting ready for a night out on the town, cooking dinner, folding laundry, cleaning your room...it's just a great album.

Here are some other albums I listened to last year:
- Humans = Going Late
- Years and Years = Palo Santo 
- Dorothy = 28 Days in the Valley 
- H.E.R = I Used to Know Her part 2 (EP)

Thursday, January 10, 2019

Dorothy "The Freedom Tour"





Last November, after touring with Greta Van Fleet, Dorothy announced the final leg of their "The Freedom Tour". With 20 + shows, the winter tour which starts January 14th where lead singer Dorothy Martin grew up, San Diego, continues into Spring, bringing the L.A based band back to where they now call home. 













28 Days in the Valley, the band's second album was released last March and the last time Dorothy played in San Francisco was at The Independent in February 2018. This time around, the lead singer who's so often compared to rock legends from the 70's will show fans what she's made at the same place where so many of those greats actually played back in the day. 






Dorothy and special guests Animal Spirit are heading to The Fillmore next week for their third show of "The Freedom" tour on January 17th. The show at this historic venue is sure to rock and some tickets are still available.